I still need to spend more time finding out which perspective sounds best for particular type of songs. I did a shoot out with my Giga piano and of course, the Giga sounded tin-y in comparison to the rich sound of the Garritan.
I got my Pro version today and I ran it through some paces. But as long as you record with your levels in the green, you should be fine. The main advantage with 24 bit over 16 bit was that it offered more headroom. The 16 bit is still normalized in 24 bit afterwards. So to have increased polyphony when playing in real time, the 16 bit will offer up to 33% more over the 24 bit.
This isn't a bad thing in any way, but it does mean that 16 bit *normalized* samples will tend to have most of the information of 24 bit *normalized* samples, especially on the soft notes where the information is most critical." The samples are normalized (in post-production), which is the key - 24 bit *normalized* samples have many (and for very very soft notes all) of the extra 8 bits filled with zeroes. But, perhaps surprisingly, it tends not to help your SNR a whole lot. [here's why- 24 bit reduces your max polyphony by as much as 33% when playing in real time. It's fine to choose 24 bit, but I'd usually give a strong recommendation to 16 bit.
Sony garritan steinway jazz piano bad notes install#
"You have the choice to install either 16 bit or 24 bit during the sample installation. I asked them why would you want the 16 bit when the 24 bit should be better. You have a choice between installing the 16 bit or 24 bit. I found out something very interesting from Garritan on their Steinway software.
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